Alice LaPlante (download or Read) Method and Madness The Making of a Story
Covering both fiction and narrative nonfiction the book deals with a topic per chapter from plot to dialogue to character Just like every other writing book But THIS BOOK DOES A COUPLE OF book does a couple of better than any other book I ve seen it as a less stringent focus on exercises and it includes full texts I don t like writing books that want to kick me out and send me off to do something and come back to it later I want a book to let me consume it sit with it for a while and then do exercises if I want to Frankly I m kind of down on exercises as it is since I don t like being told what to write when it comes to fictionAlso a big problem with writing books is the way they tell you ow writer X does something right then presents a passage from the story in uestion pulled out of context from the rest of the story Which does the job but wouldn t it be better to ave the full story in front of you If you re telling me what an amazing job Flannery O Connor does characterizing the Grandmother in A Good Man is Hard to Find is it better to give me a snapshot or the whole story I understand this is likely a copyright issue excerpts under a certain length being exempt from royalty payments But TMOAS opens the purse and pays for the reprint rights So if LaPlante is discussing Rve, cl de l'identit how Cheever sprinkles details throughout The Swimmer you ll be able to see for yourself and read the story at the end of the chapter with a trio of review uestions toelp you crystallize in your mind what the story excels at Simply the best book you can get on the technical #aspects This book is not only well written one would Exercices de style hope so but fun to read It s book is not only well one wouldope so but fun to read It s only a great textbook for beginning writers but a resource and refresher for not so beginning writers and I think the exercises on Cemetery Planet I how to explode open your pieces will be very useful Each chapter ends with wonderful short stories and creative nonfiction pieces to illustrate each chapter s lesson and they were all a pleasure to read even the ones I d read before though finding new to me writings by John Cheever Akhil Sharma and Maxine Hong Kingston just to name a few was especially excitingThe only discouraging thing is that when I see minute typos and proofreading misses which are ever so minor that I almostate mentioning them I always feel I am on the wrong path that I should work as a copy editor instead of trying to write Finally reading this after Elämän ja kuoleman kentältä – Sotarunoilija Aarni Suursalon vaikutelmia vapaussodasta having owned it for years Iave a whole bookshelf dedicated to craft books on poetry and prose fiction writing The last thing I need is another one But I came across this obscure book at the library and I was just amazed by it Its a big fat book as Norton books tend to be But its packed with genuine information not just pep talks This is not a popular book but its a very The Reluctant Heiress Lone Star Legacy highly regarded book I think this mustave originally been intended for college writing courses but its filled with exercises and you can use it without a teacher It breaks down each stage of the process from acuiring and recognising a viable idea down to the finished project It doesn t focus on the business end of writing so much as on the creative end I checked this book out so many times I finally decided If you love Les Osismes Peuple de l'Occident Gaulois her put a ring oner and went out and bought it I d say a wanna be could buy this one book and L'Europe et le mythe de l'Occident have 98% of everythinge or she will ever need to know about the writing of good fiction I bought this book because I was trying to write my own but I Calvinists Incorporated Welsh Immigrants on Ohio's Industrial Frontier University of Chicago Geography Research Papers had come face to face with a particular realization I did not know what I was doing I was not capable of producing the kind of writing I desperately wanted to produce the kind of writing I wanted to read Now in allumility there may very well be readers who throw my book down in disgust and say The Kitchen Linens Book Using Sharing and Cherishing the Fabrics of Our Daily Lives he still doesn t knowow but at least I got the manuscript out and in to the ands of readers And a lack of talent shining from my page does not mean that the resource was lacking in any way I found a way to study what I was doing and to critiue myself using this book It elped me through the editing process and also made me into a better reader of narrative than I ever was before. Ion and creative nonfiction The book is perfect for writers working alone as well as for creative writing classes both introductory and advanced. .
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LaPlante textbook and what an amazing adventure this as been for me and my students It is so downtextbook and what an amazing adventure this as been for me and my students It is so down eath deep practical Any fiction writerprofessor would appreciate LaPlante s fuel to writing The best fiction writing text I ve ever read LaPlante gives eual treatment to craft method and Redeeming the Republic Federalists Taxation and the Origins of the Constitution heart madness and encourages young writers to learn the rules so that they can be broken Unlike other craft texts the tone is lively sassy and playful rather than dry dull and condescending Two of my favorite lines from the book areThe only rule for fiction is that it be interestingCreative writing is the one area where you don t want to be appropriate Appropriate is for dinner partiesYesFinally because LaPlante approaches common topics from such fresh angles instructors also benefit a great deal from this book I m a better teacher foraving read this book something that can t be said for a lot of craft texts that don t offer anything we Guide to the Contemporary Harp haven t already read oreard a billion times I read about writing in order to become a better reader This guide is among the best I just finished with my Spring uarter writing classes and Alice LaPlante s Method and Madness was the primary text for one of my classes I don t normally review text books but as I thought this was so phenomenal I wanted to share my thoughtsAlthough LaPlante s Method and Madness covers all of the basics of creating a story it s not necessarily a beginners manual I ve been taking writing classes for years and I still found plenty in LaPlante s book that stimulated my creativity and made me grow as a writer In fact the last few months Plato and Parmenides: Parmenides' Way of Truth and Plato's Parmenides have been the most productive that I ve everad and between my writing workshops and using LaPlante s book I ve taken my writing to the next level I m ready to send stories out to publishers It s excitingWhat makes LaPlante s book such a great resource Primary I think it s the clarity in which she explains the mechanics of story writing coupled with Il metodo dell'ovulazione. Atlante her choices of examples Her input made me reassess and fine tune my writing I started to write from the idea of creating a synergy between writercharactersreader rather thanaving my stories exist in a vacuum I realize as I m writing this review I sound like some sort of writing snob I m not and maybe my Fiction won t get published With Krishna's Eyes however I know that there was personal improvement with use of LaPlante s book and I want to pass that onLaPlante divideser chapters into three sections The first is the lecture component which is filled with small examples She follows with writing exercises some of which I tried during the last few months but many I didn t ave time to do while taking classes LaPlante s exercises are going to be a resource that I can pull on as needed Each chapter finished with a couple of published short stories to support the lecture I d like to make a suggestion with the short stories read them aloud With the shorts in LaPlante plus others that came with my classes I ve probably read about fifty short stories in the last uarter Reading them aloud can be a pain but it allowed me to get the cadence and pacing of the story Also I m a very fast reader and I tend to skim reading aloud forced me to slow down and really absorb every word and deeply understand the mechanics Some of the stories in LaPlante are tried and true classics like Hemmingway s Hills Like White Elephants but LaPlante also picked modern pieces many of whom I ad not encountered previously It s a great mix I feel like reading such a variety of shorts may be the biggest contributing factor to my personal growth as a writer One of the most useful examples that LaPlante uses is in Yoga in the Workplace her chapter Learning to Fail Better In this chapter she uses two different published versions of the same Raymond Carver story to show growth in revisions If you read nothing else in this book make sure to read this chapter The Carver stories are such a keen example ofow a story can grown between drafts and A Los Angeles Times bestseller wonderfully lucid and illuminating Alice LaPlante’s guide to writing fiction “recalls Francine Prose’s best.